Movie/TV Reviews: Dunkirk, Blade Runner 2049, Stranger Things Season 2, The Big Sick, Frantz

See all my movie reviews.

Dunkirk - This is a fantastic Christopher Nolan movie, but not one I want to see multiple times. Okay, maybe one more time, but that's it.

The story is a slice of the evacuation at Dunkirk, the famous retreat of British (and French and Belgian) soldiers from France at the opening of WWII. While French soldiers held Germany at bay, Britain evacuated over 300,000 soldiers after expecting to only be able to rescue 30,000 or so. The evacuation was assisted by some air cover and by owners of small crafts, such as motor boats and so forth, taking the 25 mile sea trip to France and back. The beach was under attack a lot of the time.

The movie presents one week of the story of a foot soldier making several attempts to gain safety on a ship, interspersed with one day of the story of a civilian motorboat owner who travels to France to pick up some of the soldiers, interspersed with one hour of a pilot providing air cover. All stories converge by the end.

The interspersing of the stories was good in theory, but a little confusing due to the shifting time frames. There is no sensationalizing the war, either for or against. The stories are about fear, desperation, heroism and tragedy and survival, and how these are instantiated in humans. It's a war movie with little in the way of fighting; mostly it's about ducking and covering and running. But it's also about bravery and morality.  It is not presented as a traditional story.

The acting and directing are sensational, and so is the cinematography. Most sensational is the sound, which heightens the gripping visuals and makes them either pathetic or harrowing. Very beautiful, often educational, and a real demonstration of what movies can be. I can't remember if there are any women in the movie.

The Big Sick -  The best rom-com I've seen in quite a while, this was very funny and quite heartwarming. Written by and starring Kumail Nanjiani (Silicon Valley), it tells a fictionalized version of how Kumail met his American wife (played by Zoe Kazan) and the difficulty he/they endured from his parents (played byAnupam Kher and Zenobia Shroff) and (to a lesser degree) her parents (played by Holly Hunter and Roy Romano). The central part of the movie is a) the fact that his parents reject her because she is not Pakistani and b) that he spends a lot of time in the hospital with her parents when she suddenly falls into a coma ... after he had allegedly already broken up with her.

It's funny and it's touching. It's well acted and directed. But mostly, the script is great. It's funny. Worth seeing, especially on a date.

Frantz -  A reworking of a very old movie, this tells a story set just after WWI. A German woman goes every day to the cemetery to put flowers on the grave of her fiance Frantz who was killed in the war, and one day she meets a man ... a French man .. who also starts putting flowers on the grave. She is living with her former fiance's parents, and they are all grief-stricken. The Frenchman shows up, but anger and intolerance runs high. Until he says how he was great friends with Frantz and can't get over his death. This is kind of believable, since Frantz was a humanist, pacifist, and Francophile before the war. But ... what kind of relationship did this guy really have with Frantz?

As a modern viewer, our immediate suspicion is that the guy was Frantz's lover, something not even considered or asked by the protagonists in the movie. The movie confirms some things and then goes in other directions, and then in yet other directions. Intolerance runs on both sides of the border, lies are condemned but met with other lies, and who knows where it will all end up. Will they get together?

The movie is beautifully shot, costumed, and acted. The direction is lovely. It was enjoyable. However, it suffers from a few flaws that are the result of heavy handedness by the director. I will give a teeny example.

One of the scenes in Germany has this young Frenchman, all alone, while the German patrons, who have previously expressed their contempt for all people French, stand in a bar and sing their national anthem out of respect for Germany's soldiers. The Frenchman looks lost and even frightened. In the hands of a more competent director, we would expect to see the young lady at some future time in the movie, say, pass by a sports stadium or train station where French people are singing the national anthem. That would display the dichotomy without descending into heavy handedness. Instead, we see a scene where she is all alone, while the French patrons, who have previously expressed their contempt for all people German, stand in a bar and sing their national anthem out of respect for France's soldiers. Come on. I actually laughed out loud at this and said "Come on!" in the movie theater. And this kind of thing happens again and again. The Frenchman knocks on her (fiance's) parents door, and then later we see her knock at his family's door in an eerily similar shot. And on and on like this.

The director also shoots mostly in black and white but fades into color during certain scenes, which had the potential to be lovely (as it was in Pleasantville, Wizard of Oz, and other movies), but ended up also feeling heavy handed and obvious, essentially adding nothing to the movie that wasn't already patently obvious from the settings and story.

Honestly, I would have thought this was the director's second or third film, but it seems he has been making movies since the late 1980s. So he should know better.

Despite these misfires - and the fact that no blame is assigned to anyone for the war, it just kind of happened - the movie is otherwise lovely and sweet, with a story that really picks up and captivates you (especially after the first major reveal).

Blade Runner 2049 - It's good, although maybe not as good as it could have been. It fits seamlessly in with the first movie, without being a retelling of that movie, which is about as well as one could hope for.

The first Blade Runner had its faults - a little too much staring at visuals, a little undeveloped romance (even a little rape-y), a few plot-holes and inconsistencies - but it was beautifully filmed and acted, had an intellectual script unlike any other science fiction movie since 2001, and created a genre and look for many other movies to copy. This one doesn't really break any new ground; if anything, it feels like it inhabits the same space as Ghost in the Shell 2017. However, it has a few unique twists on the hero/destiny journey which make it rather brave in some ways. I suspect that its ending is a reason that it didn't perform overly well in the box office, but actually its ending is just right when you think about it.

As for its acting, visuals, plot, and directing, they're all good. I was confused about certain elements of the movie - how can androids have babies / grow up from being babies? What kind of biological functions do they have? Do their cells wear out? Do they go through teething, adolescence, and puberty? What do they eat, do they eliminate, and how do they metabolize? None of that makes any real sense.

I have to see it again to really get some of the confusion cleared up. In any case, it's certainly worth going to see.

Stranger Things (season 2) - Well, I just saw it and it blew me away, much like the first season did. There is really not much to say about it. It's a great story, starts off a little slowly for the first few episodes like last season, and then gets rip roaring. There are a few new characters and they are all fantastic.

The show is now part Andromeda Strain, part Aliens, and part Harry Potter. If it has any fault, it feels so neatly wrapped up that I can hardly imagine a need for another season. These two were just perfect.

1005, Stargunner!

Thank you to everyone for your patience waiting for this Stargunner episode. Of course, the research was all done the week before the episode was due out, then I got sick that weekend. So the lesson here is that procrastination is good. I have a lot of the research done for Infiltrate, so that will be out the week after Thanksgiving, and that will be the last game of the year. So if you have feedback for Infiltrate, please send it to 2600gamebygame@gmail.com by end of day November 25th.

I would like to thank everyone who donated to my Extra Life campaign as well as those of you who watched the live streams that I did. I raised $1500 for the Children's Hospital of Philadephia thanks to all of you. I got an email from Extra Life saying that I was in the top 30 earners for the hospital, which is great! I plan on doing it again next year, but I will be doing the two days in one weekend. I had fun playing the games, but I got a little frustrated towards the end of the second weekend. Sinistar is an extremely difficult game but I love it so much, for some reason.

Thank you all so much for watching, listening, and donating. I hope that all my American friends have a wonderful Thanksgiving.

Please donate to my Extra Life campaign!
Sean's Extra Life page
Andrew's Extra Life page
Rick's Extra Life page
Bryce's Extra Life page
Marc's Extra Life page
Stargunner on Random Terrain
Alex Leavens interview by Dan Gutman, Video Game Players magazine 11/83
Stargunner on Atari Protos
Video Game Update newsletter February 1983
Arcade Express newsletter January 3 1983
Arcade USA Atari Remote Control Joysticks

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CX 2690, Pengo!

This episode is all about the very cute Sega arcade game Pengo, as ported by Atari. Not by GCC, which is surprising for this time period. I hope that you enjoy the episode. Next up is Crackpots by Activision. If you have any thoughts on Crackpots, please get them to me at 2600gamebygame@gmail.com by 6 PM EST on 5 February.

Thank you for your patience, and for listening.

Pengo on Random Terrain
Pengo on Atari Protos
Pengo on KLOV
Mark Hahn interview by Scott Stilphen
Mark Hahn's web site
Andrew Fuchs' web site
Courtney Granner on San Jose State web site (features some artwork)
1984 Atari dealer catalog on Atarimania
Jim's hack of 2600 Pengo with Popcorn!
Pengo arcade soundtrack on Youtube
No Swear Gamer 299 - Pengo
Arcade USA - Pengo minisode
Atari 5200 Super Community Podcast - Pengo
Memory Machine Podcast - Christmas Menagerie
Gen X Grown Up Podcast

Missed Classic: Trinity - Is This The 50S? Or 1999?

Written by Joe Pranevich

Welcome back! Last time out, I explored the strange mushroom forest that I was dropped into after the end of the world. This "wabe", as I think it is called, is a strange place set in the shadow of a gigantic sundial and includes giant bees, an impossible flower garden, a cottage with game design notes, and a half-dozen mushrooms with little doors. But this isn't The Smurfs: each mushroom appears to have been created by a nuclear detonation. As I closed out last time, I finally worked out how to control the movement of the "sun" overhead to drop shadows on each of the doors. I opened the first door and was dropped back into reality, somewhere and somewhen.

This game remains difficult to write about. My usual style is a bit flippant and just not appropriate for the subject matter, but I also cannot help to be quippy. I'll try to keep the tone light as much as I can, but this is a difficult game with difficult themes and some of the scenes in this session are disturbing. I had to step away from the game at one point for a few days. Fair warning, but on with the show.

Ray Palmer seems like such a nice guy.

When I walked through the mushroom door in my previous post, I arrived in a rickety room filled with equipment that I do not understand. The white door remains open and I can use it to return to the mesa in the wabe, but then it closes immediately after. No amount of resetting the sundial opens the door again so I assume there is no way back. Will I only get one shot at each doorway? Is there a way to know what order I have to take the doors? I hope Mr. Moriarty won't be too evil about this, but I am prepared for a lot of saving and reloading.

The equipment that I stand next to is radioactive and obviously a nuclear bomb, but I'm not positive which bomb it is. Climbing down the scaffolding, I find myself in a large room with aircraft hangar-style doors. They are too heavy to open, but there's a button nearby so it's not much of a puzzle. A second button activates an intercom speaker and a voice informs anyone listening that it is six minutes to detonation. I'd better hurry! I open the doors and head out onto a tropical island. Thanks to the manual's history lesson, I guess that this is the H-Bomb explosion in 1952. The documentation just says a "remote island in the South Pacific" and I was fairly certain that was Bikini Atoll, but a quick Wikipedia search informs me that the first test was actually on nearby Enewetak Atoll.

Focusing on the present, I notice that the tide is coming in. That voice in my ear sniggers that "Gnomon can tether tide or time." Whoever he is, he's less clever than he thinks he is. We start exploring from our vantage point on the south of the island. To the west is a second island with a single coconut tree. Thanks to a mob of attacking crabs, there is no way to get to that island or its lone tree. To the north is an "extension" of wood leading off the island, described as being like a six-foot in diameter drinking straw connecting the facility to someplace offshore. It's too high up to climb and I do not see a way to access it from the hangar shed. While exploring, a shark follows me around the island, but when I reach the eastern shore he reveals himself to actually be a friendly dolphin! That's cute, but… er… he's going to die pretty soon.

R.I.P Flipper. None under sea were smarter than he.

Beyond that, there doesn't seem to be much to do here. After a time, I notice that the western island has sunk under the tide and only a single coconut remains floating in the water. There is no obvious way to fetch it but it screams "puzzle" and must be important for something. I eventually work out that the dolphin is actually incredibly intelligent and fetches the coconut for me when I ask. I break it open with my axe but find only coconut milk inside. What did I expect? A priceless gem? The "milk" leaks out quickly and I restore so as not to lose it. Could that be "good enough" for the potion at the cottage? The magpie said that we needed milk, honey, garlic, and a lizard. Surely, this vegan substitute for milk isn't "good enough" for a magic potion, is it? With nothing else to do and the timer ticking down, I leave my paradise to its fate and return through the white door.

I do some fast Googling to learn that the island was called Elugelab; the blast destroyed it utterly, leaving only a 15-story deep crater in the ocean bed where an island once had been. The wooden "straw" led to the nearby Teiter Island which survived the blast. There doesn't seem to be any real-world counterpart to the tiny island with the coconuts; as a tidal island it's not likely to have appeared on any maps and Moriarty may have just made it up.

When I return to the "wabe", I immediately try the coconut milk in the potion and it seems to work! I'm not sure how that counts, but I have three ingredients now. I need to find a lizard.

Princess Peach has seen better.

The Mushroom Kingdom

With my first trip out of the way and the knowledge of how to open the doors, I take stock of the rest of the portal toadstools:

• The first is in the meadow where I started. It doesn't open again now but presumably led to Kensington Gardens.
• The second is the toadstool at the waterfall.
• I cannot find the third. I suspect that it is near the boy blowing bubbles and possibly somewhere I need to fly to if I can work out how to gain altitude. Or perhaps the boy is sitting on it?
• The fourth is the one that I just explored on the mesa.
• The fifth is in the garden behind the magpie's cottage.
• The sixth door is on the moor far to the east of the map.
• I cannot find the seventh, but I expect that it is probably wherever the ferryman takes you.

My guess is that Mr. Moriarty is clever and has made each of the toadstools independent so that you can take them in any order. I therefore try the second one next and am immediately proven wrong: it leads out into Earth orbit with no spacesuit and nearly instant death. Nukes in space? There must be a way to survive there to do whatever I need to do, but I'm pretty sure I don't have the means yet.

The death scene at least offers some hints as we arrive, dead, at the ferryman's river. This time, we have a coin and use it to board the boat to the great beyond. Other than that, I don't glean any further hints how to cross without dying so I restore and try the next mushroom.

As a kid, I visited the Psygnosis offices in Cambridge. It was amazing. By coincidence, I later worked in the exact same office long after they had moved out.

Mother Russia

I take the fifth door next and arrive in what appears to be an elevated shack on the Siberian steppe. It's cold and gray and someone is speaking in Russian on the loudspeaker. Google fails me and has no idea what "dyevianatsat minut" means, but Infocom was likely using either a nonstandard (or simply outdated now) romanization. My guess is that they meant "devyatnadtsat' minut" (девятнадцать минут) or nineteen minutes. Plenty of time, right?

I climb down from the shack and immediately step on a rodent underfoot. In fact, the ground is mobbed by hundreds or thousands of creatures all racing to the northeast. They "look something like hamsters, with long brown fur and beady eyes". Should I follow them? Or see where they came from? I try heading "upstream" against the tide of creatures, but Russian guards kill me so that's not the way. I follow them instead to discover a cliff edge where the rodents are jumping off in apparent mass-suicide. Only then does the game tell me what you already figured out: they are lemmings! Of course, lemmings don't actually jump off of cliffs, right? That's just an urban legend spread by an old (faked) Disney documentary?

At the cliff, I discover a single trapped lemming in a fissure. I rescue it but it quickly bites my hand and disappears into the mass. If I release the magpie, I can grab it and then stick it in the cage. Is that a good trade? Do I need the magpie for anything? Remembering back last week, I did not get any points for it (only for the cage) so maybe not? Also, lemmings are not lizards even if they have the same starting letter, and even if the potion took coconut milk instead of cow's milk, that would be too much of a stretch. I find nothing else of interest on the tundra. I even jump off the cliff once but just drown in the frigid Arctic water. Once there is nothing left to do and the countdown is presumably getting close, I head back through the door.

Doing some real-world research, I learn that I wasn't on the Russian steppe after all: the Soviets did their nuclear testing at a site in Kazakhstan. I was close enough though since that was part of the Soviet Union until 1991 and Moriarty would likely not have seen it as a separate country. The test site was 100 miles west of Semipalatinsk (now called Semey) and the region sees many health problems thanks to all of the tests performed there. There doesn't seem to be any real-world analogue to the cliffs as the nearest bodies of water I can find to the test site are frozen lakes around 25 miles to the northeast according to Google Earth. Am I looking too deeply at this? Absolutely. I'm procrastinating writing the next section.

A spoonful of sugar helps the deep existential dread go down?

Hiroshima

The sixth door is my only remaining choice, located on the moor just north of the ferryman's river. Stepping through, we find ourselves in midair and falling fast. Unlike in the space section, we have a few turns to experiment before we land with a splat and I have an idea what to do: open the umbrella! Doing so slows our descent enough that we land safely in a children's sandbox. Writing this section is choking me up, so I'm going to pause by just giving you the room description:

Playground, in a sandpile

A set of children's swings move back and forth in the humid breeze. Behind them stands a long building, its windows hung with flowers and birds folded from colored paper.

Mounds of dirt are heaped around a dark opening to the east. It appears to be a shelter of some kind.

Several small children are happily chasing dragonflies north of the swing set. Turning south, you see a group of adults (schoolteachers, by the looks of them), wearily digging another shelter like the first.

Somewhat shaken, you rise to your feet in a child's sandpile. In the pile, you see an umbrella, an axe, and a birdcage.

We know what's about to happen and it's devastating. I gather together my things and discover that I can really only move east towards the shelter without being caught. Inside is a disgusting and rough hewn bomb shelter, filthy and smelling of urine from the people that had to relieve themselves while waiting out the terror outside. It's an awful thought. There's a spade on the ground which I pick up, but otherwise there's nothing else to do.

I leave and discover that a girl is now playing in the sandpit. She spots me and nearly runs to her teacher, but then she spots my umbrella and her curiosity gets the best of her. I can tell that she wants it, so I hand it to her and she runs off into the shelter to play. Could she be the scarred woman in London? Do I even want to consider that?

There is still nowhere else that I can go safely, but seeing folded paper cranes in a nearby school window gives me a thought. I follow her into the shelter and hand the girl my unfolded origami crane from the beginning of the game, the one that gave me the message to go to the Long Water by 4 PM. She folds it back into its original crane shape and I gain three points. It glows with a strange energy. I return outside and the crane grows into a giant living paper bird. I climb on its back and it takes me up to just outside the white door, still suspended in midair, where I can leap off and through. Whew!

From a game perspective, that was an interesting segment and very much "on rails". If I had not brought the paper or umbrella with me, I could not have progressed, plus it was really only two rooms that I had to move back and forth between to advance story segments. More than any other section of the game except perhaps the first near-future in London, this paints a human face on the misery of the bomb. Honestly, this section wrecked me and I needed to take some time off from the game. I'm really not cut out for reviewing this type of emotional experience. This game hurts. I don't even care that I don't know if that was Hiroshima or Nagasaki, I'm done and need to move on.

"You can either look at things in a brutal, truthful way that's depressing, or you can screw around and have fun." - David Spade

Calling a Spade, a Spade

With no more toadstool doors to explore-- I haven't found the third or seventh and the second one kills me immediately-- I resolve find places in the wabe where my new items might be useful. I still have up a spade, a lemming, and an open coconut. It takes some experimentation, but I'll skip my failures and move straight to the good part: I can open the crypt in the cemetery!

Using the spade, we pry off the lid to see the corpse of the "Wabewalker" (me?). This was well-hinted since I was told earlier that I needed more "leverage" to move the lid and a spade is certainly leverage. I had hoped the grave would be empty, but instead I look down at a "great missionary or explorer" in his final rest. I hope this game does not go all Infidel on me. The corpse is wearing a burial shroud, a bandage around his head, and two strangely colored boots: one red and one green. Like any good tomb raider, I strip the corpse and take all of his stuff. His mouth hangs open once the bandage is removed and I discover a silver coin inside. Fare for the ferryman? The boots each have a strange (but empty) recess at the tip of the toes. Do I have to hide something in them? With the corpse thoroughly desecrated, I'm nearly halfway through the game: 49 points!

While exploring, I also get the brilliant idea to float the Bubble Boy's bubble out through the "space" doorway. Amazingly, it fits! The bubble immediately freezes to create a protective shell and that somehow keeps us from dying in the cold vacuum of space. Unfortunately, there is no way to control the bubble and the white door drifts rapidly away from us. After a time, a satellite comes closer and then departs again without letting us do whatever we are supposed to do. There is briefly a Star Wars-style laser destruction of a missile, but nothing to do except wait it out and die. There are still things that I am missing before I can conquer outer space.

What happened to the other five stories?

Desert Island Decameron

I wear all of my burial clothes and the ferryman lets me on the boat! He takes the silver coin as payment (but not the London 20p one) and deposits me across the river. There is no entrance to Hades or two-headed dogs, but there is a small island with the expected toadstool on it. When I arrive with the seventh symbol set on the sundial, I emerge into another rickety shack next to a large metal ball covered with wires.

There are voices outside and if I leave prematurely, I am killed-- more on that in a minute. But if I explore the room first the voices eventually leave. I use that time to try to open the bomb via an access panel that I discover on the side, but no dice without a screwdriver. I even try using the London coin, but it doesn't fit. A book sits discarded on the floor, the Desert Island Decameron. Doing some Googling, I discover that it is an "unconventional anthology of humor"... a strange thing to find in a room with a giant bomb, but perhaps one of the guards needed a little light reading while he considered the hellscape that he was potentially helping to create. Inside is a bookmark with a poem on one side and a diagram scrawled on the other. I get four points for reading it so it must be important, but the only part we can "see" in text is the legend: "RD=DET, BL=POS, ST=INF, WH=GND". My guess is that we are looking at a wiring diagram and an explanation on how to defuse the bomb. In any event, it's useless without the panel being opened.

Once the voices are gone, I exit and climb down the ladder. At the bottom is a padlocked box… and our friend the roadrunner! He's finally back in his natural habitat and seems happy to see me. He even drops the ruby at my feet! I pick it up to gain a few more points and from this moment the roadrunner follows me around. I cannot open the padlocked panel, even when I try to smash it with the axe or spade. Letting the lemming go doesn't help either and I do not see any lizards here.

I'm going to pass on delving too deeply into my explorations of the New Mexico desert for now, except to say that we only get a few turns before we die and even with successive restores I do not find much of interest. I suspect that I am here before I am ready; maybe I find a way to slow down time? Maybe by defusing the bomb at the beginning, the test is delayed by a few minutes and I can explore further before dying?

Perhaps more importantly, this is the message that I get when I inevitably die:

All at once, the desert around you disappears in a flash of startling brilliance! You jam your hands over your eyes in the awful glare; never see the fireball closing in at many times the speed of sound; and never feel the stellar hear that annihilates much of the state of New Mexico.

The real Trinity test, which I am certain is where this gate has taken us, did not nuke the state of New Mexico. It was relatively modest as far as later bombs were concerned and so something must have happened to change history. Have I finally stumbled on the plot of the game? Did someone or something interfere with the Trinity test to make it even deadlier than before? It's a great twist if that's what happened and I am eager to see how the game continues.

For now however, I am stuck and have a few open problems to solve:

• I have yet to find the third toadstool. I thought it was by the Bubble Boy, but since we use the bubble to go to space I was probably mistaken. I will have to search for it since there's something I missed someplace.
• I do not know what to do with the wight, either to help it or kill it. Could the crypt's skeleton key by the solution to the lock in New Mexico?
• I do not know what to do in space.
• I do not know what to do with the magnetic meteorite.
• I do not know where to find a lizard. It seems most likely to be in New Mexico, but I doubt it given that even if we find a way to reopen the doors, I don't seem to have a path back across the river to the main part of the wabe.

I did manage to get 70 points, but I've reloaded now to before crossing the ferry so I will have to get some of those again.

Time played: 2 hr 15 min
Total time: 7 hr 25 min

Inventory: bag of crumbs, small coin (20p), silver coin, red boot, blue boot, bandage, burial shroud, credit card, wristwatch, birdcage with lemming, broken coconut, and silver axe. (Not all being carried at once.)
Score: 70 of 100

A Little Touch Of Leipzig (In The Night)

Apologies for the obscure 70s music reference ! Some of you may recall that we started to delve back into the wonderful world of 15mm Napoleonic gaming recently after I finally put together my Quarrie / GdeB mash up rules. A rerun of Albuera ensued recently and that went quite well so it was time for a second go with the "new" rules. We decided to move away from the Peninsula and try some Central European action to see how those armies performed. I will put a link to the rule amendments at the end of the post.

Italian Light Infantry masquerading as Young Guard

I picked the 1813 Dolitz & Probstheyda Scenario from the Napoleonic Scenarios 2 book from Partizan Press, avaliable below,

https://www.caliverbooks.com/Partizan Press/partizan_NS.shtml

An excellent set of scenario books perfect for any rule set. Even with over 6,000 15mm figures for the period I had to make some compromises as I have no Austrians and no French Guard, so my Italian Guard and Russians had a run out instead.

Historical Background 

We will all be familiar with the background of the Battle of Nations and this game represents a small section of that battle, the centre of Napoleons positions in the South of the battlefield to be precise. The game represents the Allied attack of the 18th October and is a simple attack and defend scenario.

Russian Cuirass

Set Up 

12 x 6 table with the Allies marching on the table on move 1 from the left, as viewed in the photos below,

Allies March On

From the French Lines

A fairly straightforward battlefield, there is a line of two villages and a farm along the centre of the table, Dolitz, furthest from the camera, Dosen in the centre and then the Meusdorf Farm. The Farm and Dolitz each had a small wood adjacent to their left flank. On the far side of the table there is another wood and the edge of a steam.

The rear of the French Line is dominated by a ridge line on which the village of Probstheyda is located (green copper spire church) with a fifth and final village, Lossing, which is level with Probstheyda and behind Dolitz.

French Infantry in Dosen

French Orbat

For general stats see the Quarrie / GdeB mash up rules post below, any variations on the standard charts to reflect the lower standard of some of the French units is noted below.

C in C - Murat

Augereau - IX Corps
Brigade Sierawski - 3 x Polish Line Battalions (2 x 36 figs and 1 x 32 figs) and 1 6pdr Polish Foot Battery. Set up between Dolitz and the stream.
Brigade Lagarde - 2 x Legere Battalions (36 , 30) and 2 x Ligne Battalions, both 36, both -1 on standard French Morale. 1 x 8pdr Foot Artillery. Set up in and around Dolitz.
Brigade Semele - 1 x 36 Fig Legere Battalion, 2 x Ligne Battalions 1 x 36 and 1 x 30, the 30 man unit is a- 2 on Morale. 1 x 8pdr Foot Artillery.
Brigade Sulkowski - 1 x 18 man Polish Uhlan Regt and 1 x 6pdr Polish Horse Art.

Probstheyda

Victor - II Corps
Brigade Dubreton - 1 x 36 Legere Battalion, 3 x Ligne Battalions 2 x 36 and 1 x 30 (also -1 morale). 1 x 6pdr Foot Artillery. Set up in and around Dosen.
Brigade Dufour - 1 x 36 Ligne, 1 x 30 Ligne, 1 x 30 Legere and 1 x 24 Ligne (-1 Morale). Set up around the Farm.
Brigade Corbineau - 1 x 18 Hussars, 1 x 6pdr Horse Art. Set up between Dosen and the Farm.

French Cuirass

Oudinot  - Guard Corps (all in Reserve behind ridge, activated the turn after one of the front villages is either assaulted or fired on by musketry.
Brigade Pacthod - 4 x 32 Young Guard, 8pdr Foot Artillery
Brigade Curial - Italian Guard Grenadiers, Italian Guard Fusiliers both 30 figs, Italian Guard Velites 32 Figs, Italian Guard Foot Artillery 12pdr.
Brigade Bouresoulle - 3 x 24 Fig Cuirassier, 1 x 24 Dragoon (inferior mounts)

On a roll of 12 on initiative - Napoleon arrives anywhere on the French baseline escorted by 1 x 24 Guard Lancer and 1 x 24 Guard Chasseur.

Italian Guard on the ridge

Allied Army

C in C Schwarzenberg (remember Russian troops have been substituted in for Austrians)

Hesse Homburg - move on table opposite Dolitz
Brigade Roth - 3 x 48 Fig Russian Infantry Battalions one with -1 morale. 3 x 36 Fig Russian Infantry Battalions one with -1 morale. 1 x 6pdr Prussian Foot Artillery.
Brigade Mezentzov- 1 x 48 Fig Russian Infantry Battalion, 2 x 36 Fig Russian Infantry Battalions both with -1 morale. 1 x 30 figure Prussian Landwher, 1 x 6pdr Prussian Foot Artillery.
Brigade Vassov - 1 x 36 Fig Russian Grenadier Battalion, -1 morale. 2 x 16 Fig Prussian Hussar one with + 1 morale and 1 x 6pdr Prussian Horse Art.

Cossacks in a wood, what a surprise 

Gorchakov - move on table opposite Dosen
Brigade Grenadier - 4 x 32 Grenadier Battalions, 2 Prussian, 2 Russian. 1 x 6pdr Prussian Foot Artillery
Brigade Laelin - 1 x 24 Russian Guard Cuirass, 1 x 24 Russian Cuirass
Brigade Larkov - 2 x 24 Russian Cuirass

Russian Infantry Battalions attack

Barclay move on table opposite the Farm
Brigade Pirch  - 1 x 32 Prussian Fusilier (+1 morale), 1 x 32 Prussian Musketeer, 2 x 24 Reserve Prussian Infantry, 2 x 24 Prussian Landwher.
Brigade Von Kluse - 1 x 32 Prussian Fusilier (+1 morale), 1 x 32 Prussian Musketeer, 2 x 24 Prussian Reserve Infantry, 2 x 24 Prussian Landwher, 1 x Prussian Foot Artillery, 1 x 16 Landwher Cavalry.
Brigade Oldenkop - 5 x 32 Fig Russian Infantry Battalions (2 are -1 morale) and 1 Russian Position Battery
Brigade Zilowski  - 1 x 24 Russian Uhlan, 1 x 18 Russian Hussar, 1 x Russian Horse Artillery.

Prussian Reserve Infantry on the move

How did we get on 

We actually played through the scenario twice and it was quite an interesting experience having a go at a Central European battle after the Albuera Peninsula game. National Characteristics definitely give each army a personality and once you become aware of its strengths you start to alter your tactics to those of that nation, something I have been after in a game for a long time.

1st shot 6 gun battery, low ammo !

Normally I let the photos follow the story of the game but on this occasion they are a bit random, one because we played through twice and secondly because I was too busy taking notes about the rules rather than what was happening in the games.

Prussian Infantry attacking the Farm

In game 1 the match was over pretty quickly, the attack on Dolitz was a bloody affair with the Russians failing to gain any headway against the village and the Polish Infantry who had formed a line behind the stream. It wasn't long before the attacking Russians were streaming back to the baseline.

Another view of the Prussian attack on the Farm

In the centre the Allies sat there and got shot ! The Russian Guard Cuirass ended up retiring off the table without moving forward at all. That woke the rest of the troops up and there was a glorious charge against a gun line (see top photo) at the end of that game.

Waiting to go again in game 2

The Farm side of the table ground to a stalemate fairly quickly, the attack started on the Farm but all the French Heavy Cavalry came out to play, putting the Prussian Infantry in square ending any movement. With all the Russians running away at the end of our first session we decided just to reset and go again. I made a couple of changes to the orbat (the French started with the Guard Cavalry in game 1). Overall an easy Victory for the French in our first run through.

French Infantry in Dosen

Another aspect of game 1 was the atrocious dice rolling of the Allies (including myself) the double one for the Russian Artillery in the photo above was just the start, we have all had it, those days where you can't roll over 5 on 2 d6 until you need to roll low when you roll a double 6 !

French in the Farm

Game 2 went on for a lot longer (3 sessions) and was a much closer affair. We realised that we had been allowing too many people to shoot out of built up areas which made the approach to the villages a bit easier and the removal of the Guard Cavalry made the French player a little bit more cautious.

Attack on Dolitz in Game 2

The Russian attack on Dolitz was more sustained and they had a good deal of success against the French in the wood near the village, however the downfall this time was the Polish on the flank who pushed home their own attack in support of the village, there were some further shocking die rolls by the Russians but all in all a much closer battle.

French Cavalry mass behind the lines

In the centre the Allies wisely stayed out of range of the French Artillery, this time the French Cavalry massed behind the lines in the centre of the table but it all ended up with a lot of posturing. The Allies never got a clear run at a target whilst the French kept failing command rolls and remained on Hold orders behind the central village.

Cossacks skirmishing against Young Guard

The area around the Farm got a bit more fruity this time, this time the Russian Infantry led the attack, one thing we have quickly learnt is there is no point messing about firing Russian Infantry, get them stuck in as soon as you can. A battle raged over the woods adjacent to the Farm and the French sent two units of Young Guard to hold the line.

Prussian Infantry supporting the Russian attack

The Russians attacking the Farm failed to charge but those in the wood unceremoniously dumped the Young Guard out of the cover and into the path of a waiting Russian Hussar unit.

End of the Young Guard

The French committed the Italian Guard to hold the line in that area, the Allies had turned the flank but the new line at a right angle anchored on Probstheyda was pretty strong but was lacking Cavalry support.

We finished the game at this point entering a period of stalemate, the Allies had made more progress than before but had failed to get into the villages, with a bit more luck on dice rolls we could have got into the front line of built up areas but I don't think there is enough to get into the rear towns, it also felt that the French had a lot of artillery and with the ridge line they could often get multiple batteries on one unit when needed.

Italian Guard coming to the rescue

Rules Development 

The original Quarrie / GdeB mash up rules post can be accessed below,

https://yarkshiregamer.blogspot.com/2018/10/quarrie-to-general-de-brigade.html

There is still some work to do to get them perfect but I am happy with the progress and it's given me a renewed interest in Napoleonic gaming (which was my first gaming period) after years of inactivity so that in itself is a huge positive.

General de Brigade makes it harder to get into contact than other rules but when you do melee is over quickly, usually in a single round and there is none of the enormous black holes pulling in multiple units into massive combats which last 3 plus turns like say Gilders which needs a change of mind set from players of those sets.

The magic floaty tree

We found getting into contact a real problem in this game which is interesting as that wasn't an issue in the Peninsula bash, maybe we were expecting the British to shoot units off ?

The main discussion point and change from the game was the +1 for infantry charging in column. Infantry now has a charging factor for melee and a confused factor when not. We found that a plus 1 on top of the Impact factor was too much but we needed to reflect the impetus of charging in column so the decision was to count the Impact factor as the charging column factor and add a -1 to the Impact when charging in any other formation. The exception being the British.

I hope to get at least one more Napoleonic Game in before Xmas, oh the joy of too many collections ! Next game, currently on table is Spanish Civil War.

The Reckoning Of Darkness, Short Film, Review And Interview

The Reckoning of Darkness is a great proof of concept film. I could go into more detail about that part, but Christopher Kulikowski, the director, does a much better job of explaining his inspiration below. The look of the film was wonderful and captures the essence of the original story and reaches into the gaps to give us more.

I saw The Reckoning of Darkness at the 2019 FilmQuest film festival (website).The film was nominated for Best Score and Best Production Design/Art Direction, along with winning for Best Costumes.

I would recommend this film for anyone who has read Frankenstein. This captures the feel Mary Shelley develops in her novel and gets back to the horror of what it might be to be questioning our existence and the ability of creating life.

TAGLINE: Some may recall that the story of Victor Frankenstein and his Creation ends in the frozen wastes of the Arctic, but few know what really happened on their fateful journey north.

SYNOPSIS: The Year 1818: Set on a remote island at the extreme north of the British Isles, a mysterious man named Victor washes ashore, seemingly the sole survivor of a shipwreck. He is restored to health by the local inhabitants but guards the secrets of his haunted past and of an evil which has found its way to this remote world, hell-bent on vengeance. So starts the dramatic and violent chain of events in which the tale of Victor's sinister experiments gradually emerges.

What was the inspiration for The Reckoning of Darkness?

There's essentially two parts to the inspiration and genesis of my proof of concept featurette.

First is my love for science fiction, horror and drama that goes back to my childhood and Mary Shelley's time-tested novel, Frankenstein, a narrative which captures all three genres mentioned above.

Second, back in 2004, I attended the performance of a play titled Victor, written by British playwright Alistair Faulkner and inspired by Mary Shelley's novel. Unlike most depictions of Frankenstein's creation, in this telling of the story (set on a remote island in the north Atlantic) Victor's creation is intelligent, has feelings of love, despair, hate and loneliness. I was completely captivated and moved by the performance and narrative of this play. In fact, I loved the take on this "Frankenstein" story so much that I secured the theatrical rights, wrote a feature length screenplay and adapted it all into a proof of concept short film and trailer.

 

What project(s) do you have coming up you're excited about?

What is exciting and hopefully upcoming (soon) for me, is to get the feature version of The Reckoning of Darkness off the ground. Currently, my energies are fully committed to bringing this "monster" to life. :-)

What was your early inspiration for pursuing a career in film?

There were many films and TV programs that inspired me as a child to pursue a career in cinema, mostly shows/films such as Star Trek, Star Wars, Dark Shadows, anything fantastical, but what really propelled me into making this a career vs a hobby was the discovery of my father's Bell & Howell 8mm crank camera. Once I had my hand of this amazing device and discovered all the magic of its capabilities, I was hooked. In short, I've been making films since the age of 11.

 

What would be your dream project?

Asking me about a dream project is like asking me what is my favorite song... there are many but for the time being, fully realizing and getting the feature version of "Reckoning..." off the ground would be a dream come true. Other "dream" projects would be to direct a Star Trek feature/TV series and a period thriller that I have in my screenplay arsenal titled Kingsbury Run.

What are some of your favorite pastimes when not working on a movie?

When I'm not working/making a living, I enjoy the company of close friends, family, going to the movies, theater, symphony, traveling abroad, photography, writing, reading, motorcycling and fine dining and wine.

What is one of your favorite movies and why?

So many films come to mind as favorites, but I would say that William Wyler's 1959 classic, BEN HURis one of my top ten. The film is epic Hollywood at its best and a testament to the power and capabilities of cinema. To this day, the scale of the production and end result is truly is awe inspiring... (the chariot race for instance is unmatched spectacle). Yet with all the grand scale, lavish sets, majestic and beautiful music score, fine performances, the story is simple... one of family, love, revenge, redemption and faith. For me... this film sticks, endures and continues to captivate.

You can find out more about The Reckoning of Darkness on the following locations.

• IMdb (link)
• The Movies website www.reckoningofdarkness.com 
• Facebook: Reckoning of Darkness (link) and Rara Avis Films (link)
• Instagram: Reckoning of Darkness – Movie (link)

You can also watch the trailer on Vimeo (link).

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